Clementine

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Hard Rock/Funk/Pop drummer Clementine adds her powerfully passionate style to every project.

As a founding member of the road-dog metal band BOTTOM, she developed a heavy-hitting, dynamic sound. As Phyllis Rudd in AC/DSHE, her athletic and exciting playing helped garner the band top-grossing status in the Bay Area, and throughout the States and the UK.

Clementine is the founding member of San Francisco Zeppelin powerhouse ZEPPARELLA. She tackles the best rock drumming ever written with her own emotionally powerful style, bringing the Motown influence of the Bonham groove to the forefront. The musical connection established with Gretchen (guitar) in AC/DSHE and the lifelong musical conversation with Nila (bass, BOTTOM) creates the bond required to do this great music justice.

This connection seeded another project, THE HOUSE OF MORE, an original music project with all four members of ZEPPARELLA. Compared to Pink Floyd, Tom Waits and Fiona Apple, Clementine contributed not only the drumset and songwriting collaboration, but also most of the lyrics to the debut album.

When THE HOUSE OF MORE paused, Clementine continued writing and ended up with a solo project, FRANCIS BAKIN. Writing the words and collaborating on the music with Gretchen Menn, a 10-song debut album was released in 2009. The songs are a combination of live and electronic drumming, slide guitar (Gretchen Menn and Ted Savarese), fretless bass (Robert Preston) and things that go “Boing.” The song “Cold Snap” won second place in the 2008 International Songwriting Competition in the Lyrics category.

Feeling the need to take advantage of the Bonham education in an original project, Clementine started another band in 2009, this a hard-rock machine ala The Cult and Black Crowes called THE SOLID. With guitarist Justin Caucutt (Baker’s Dozen), bassist Greg Randolph (Greenhouse Effect) and vocalist Brian Hagman (Black Lamb), the debut 5-song EP featured the heavy groove that Clem has become known for.

Stars Turn Me On is Clementine's newest venture. Collaborating with Justin Caucutt from The Solid, the two are a golden songwriting team. Their debut album GoldRush, released on January 1, 2012, has a stripped-down sound that lets the songs shine through. Lyrical, groovy, with influences all over the map, the songs bounce from folk to RnB. The team are booking shows now.

TOURING/SHOWS:

From the beginning of her musical career, Clementine’s goal has been to be onstage every night. BOTTOM was a touring machine, playing 320 shows in 2000 (8x around the States), the Warped Tour in 2001 alongside an evening club tour, 8 weeks and 10 countries in Europe in 2002, and a nearly continual live existence from the beginning of the band to the end.

BOTTOM shared bills with AFI, AlabamaThunderPussy, AlienAntFarm, AcidKing, Backyard Babies, BellRays, Black Halos, Blessing the Hogs, Buzzov*n, Buckcherry, Cannibal Corps, Candy Snatchers, Crisis, Cosmic Psychos, Electric Wizard, The Fall, Everlast, Drivin'n'Cryin', H2O, Hank Williams Jr. III, Heroine Sheiks, High On Fire, HonkyToast, Hirax, Jucifer, Joey Ramone and the Independents, Leadfoot, Lenny Kaye, Ludicra, Lunachicks, Nashville Pussy, Nile, Mike Watt, Misfits, MonsterMagnet, Murphy's Law, Nebula, Pansy Divison, PigmyLoveCircus, PORN, Raging Slab, Rancid, Rollins Band, Speedealer, Spirit Caravan, Suicide Kings, Step Kings, 60 Watt Shaman, 311, Toilet Boys, Trouble, and The Voluptuous Horror of Karen Black, Unida, YOB and more.

In AC/DSHE, Clementine flew to events around the country and to the UK. ZEPPARELLA plays constant club shows and private events throughout the US. STARS TURN ME ON is booking now.

DISCOGRAPHY:

BOTTOM
Made In Voyage (Mudflap Records 2000)
Feels So Good When You’re Gone (Mans Ruin Records, 2001)
You’rNext (Smallstone Records, 2004)

ZEPPARELLA
Live at 19 Broadway (Bonny Boy Records, 2005)
A Pleasing Pounding (What Are Records?, 2008)

THE HOUSE OF MORE
The House of More (self-released, 2006)

FRANCIS BAKIN
Conversation with Francis Bakin (self-released, 2009)

THE SOLID
Arrivals and Departures (self-released, 2009)

Clementine is often hired for session recordings, and her drumming appears on many releases. For a list of such projects, contact Clementine.

The push and pull of the time. Providing the base on which the main melody sits. Giving the other instruments space for their voice. Playing simply, for the song. Leaving beats out as a fill rather than adding. Expressing the emotion of the song with my part. Making people move. Making odd times feel like four. Participating in the musical conversation. Playing loudly. Playing softly. The fact that it's PLAY. The fact that if there are drums in the room, I'm not paying very close attention to what you're saying. The way learning to play changes the way you think. The math of it all. Great teachers. Drummers who are free with information. The humility of great drummers. Knowing that I will never be as far along as I want to be.

Important people to mention, The Teachers: Fred Klatz (Drummers Collective, NYC), Peter Magadini (Bay Area), Paul Bostaph (Bay Area), and (by example and conversation) Dale Crover (LA). I've been so fortunate to have great instruction in my career, thanks all of you.

Clementine
3/16/10